Dead Poets Kavana

Obrisan korisnik
Obrisan korisnik
Pristupio: 16.06.2003.
Poruka: 18.025
23. listopada 2006. u 04:52

bojangles je napisao/la:
 u Kafani nema krive teme!
Vidi cijeli citat
 

Potpisujem!

Obrisan korisnik
Obrisan korisnik
Pristupio: 16.11.2005.
Poruka: 1.164
23. listopada 2006. u 08:43
andrija Nis je napisao/la:

Mile je napisao/la:

<span style="font-weight: bold;">andrija, unutra je moderan EI Nis brojac mrtvih! </span>


ali bojan ce ga zamijeniti uskoro sa Digitron Buje.

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pa znam,ja ga projektovao
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Mile za brojace sve vrste(koji broje u binarnom,BCD ili ne daj Boze u AIKEN-ovom kodu)samo se obrati nama.Isprojektovacemo ih dok kazes keks.Za par slicica Bendzamina Frenklina odstampanih na zelenkastim papiricima poslacemo ti ih u Texas Izvoz u SAD ce skociti 100%..Pardon ne u SAD u Texas
Obrisan korisnik
Obrisan korisnik
Pristupio: 16.11.2005.
Poruka: 1.164
23. listopada 2006. u 08:46
Ako si nostalgican napisacemo i 'EI Nis' i stavicemo ispod sliku tima Radnickog iz 1989..A ako budes darezljiviji sa onim vec spomenutim papiricima mozda dobijes i orginal potpise tadasnjih prvotimaca
bojangles
bojangles
Dokazano ovisan
Pristupio: 19.01.2005.
Poruka: 16.414
23. listopada 2006. u 08:54

 dopustite mi da i dan poslije budem pod snažnim dojmom ove prekrasne kuće

volio bih čuti komentate Mrtve pjesničadi (ovakve ili onakve),bez obzira što znam da vam je svima muka od ponedjeljka ujutro...

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The Aga Khan Award for Architecture 2004

The Ninth Award Cycle, 2002-2004

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B2 House, Büykhüsun, Ayvacik, Turkey

Clients:

Selman and Suha Bilal, Turkey

Architect:

Han Tümertekin, Turkey

Completion: June 2001

Project Data

Photos and Video


Description

Two Turkish brothers, Selman and Suha Bilal, wanted to build a house on Turkey’s north Aegean coast as a place to spend weekends in a spot where they could find beauty, tranquillity and seclusion without travelling long distances from their homes in Istanbul.

B2 House is located on the edges Büykhüsun, a small village near Ayvacik housing a tightly knit community of around 450 people who work mainly in agriculture. Located just outside the south-east boundary of the village, the pure rectangular mass of B2 House sits on an open terraced site, unmistakably modern and separate from the traditional houses of the surrounding village, but respecting and allying itself with those houses through its use of traditional local materials and techniques. The house opens itself to the surroundings and encourages its users not only to observe the landscape but also to immerse themselves in nature through the use of semi-external and external parts of the accommodation. It is a place where a basic shelter becomes a space for the celebration and contemplation of nature.

The response of the Turkish architect, Han Tümertekin, to the sloping topography of the triangular site, which drops 7 metres from north to south, is also based on the local practice of terracing. The site is divided into two flat plateaus with a difference of 1.3 metres between them, creating a long rectangular terrace, on which the house is placed, and a triangular terrace to the back of the house, which is used as a garden. Like the local houses, B2 House is embedded in the slope of the mountainside; however, in contrast to the local building typology, there are no garden walls around B2 House. As a result, the site is absorbed by the surrounding landscape but, at the same time, the house is set apart, appearing almost as a sculpture on a pedestal.

The owners sought to contain the scale of the house in order to maintain construction costs while achieving a simple, practical structure that would not demand much maintenance. The programme is therefore basic: the ground floor is dominated by a large living room and the upper floor by two bedrooms. The connection between the two floors is through an external stair of wood and steel.

The purity of the main spaces and an integration with nature are maintained by semi-external spaces set within a 1.2-metre-deep utility wall that contains bathrooms, a laundry area, storage, a kitchenette and a fireplace that opens onto an outdoor living room sheltered beneath the stair deck. All of the outdoor spaces are conceived as integral parts of the house.

The structure of the house is earthquake resistant and fairly simple, and was built with local technology and materials. The east and west façades comprise a tripartite composition consisting of two concrete structural members that frame a stone wall; this is continued on the roof, although the stones there are not fixed.

With a reduced architectural language employing humble materials and rudimentary forms, remarkable spatial conditions are achieved in B2 House. The spaces gain a sublime presence that transforms the sense of a dwelling into that of a monument. The house functions as an apparatus for perceiving nature with truly mesmerizing effects, constantly shifting the user from domestic activity to a state of pure contemplation in a suspended timeless zone. Its capacity to transport its users between different realms is extended to its image: the pure mass on a pedestal is conceived with the silent grandeur and noble simplicity of a monument, while its scale and humble materials take it back to the realm of the vernacular.


Jury Citation

This house has been chosen to receive an Award because it embodies a sense of perfection and well-being. It represents a progressive approach in acknowledging the history of its place, the surrounding houses and landscape, to form a new and unique creation that is, at the same time, an integral part of its community. The house stands apart – beautifully shaped and elegantly dressed – but in the future additional houses may embrace and adopt it, fully integrating it into a wider landscape.

B2 conveys a maximum amount of dignity, achieved with a minimum of means. It celebrates the act of contemplation, looking towards the distant horizon with openness and clarity. It incorporates a wealth of architectural knowledge but at the same time expresses the individuality of the architect’s aspirations.

When filled with life and activity, the house becomes a place of special significance and reference in the community, embracing all those whom it welcomes as visitors or passers-by. When empty, it continues to command the respect it so much deserves.


Project Data

Clients Selman and Suha Bilal
Architect Han Tümertekin, principal designer; Eylem Erdinç, project architect; Hakan Sengün, Hayriye Sözen and Ahmet Önder, assistant architects (all from Turkey)
Consultant Gülsün Parlar, Turkey, structural engineer
Contractor Ziya Ildiz, Turkey, Project Coordinator
Craftsman Enver Akan, Turkey, master builder
Commission 1999
Design March 1999–October 1999
Construction November 1999–April 2001
Occupation June 2001
Site area 600 m2
Built area 150 m2
Cost US$ 140,000


Project Photography

Watch the Slide Show or click on one of the high resolution images to download it to your computer.
If you require TIFF images of this project, please contact The Aga Khan Award for Architecture
.

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PHOTO 1
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PHOTO 5
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PHOTO 2
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PHOTO 3
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PHOTO 7
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PHOTO 8
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Because of a few songs wherein I spoke of their mystery-women have been exceptionally kind to my old age
Obrisan korisnik
Obrisan korisnik
Pristupio: 04.04.2006.
Poruka: 1.952
23. listopada 2006. u 09:21
  Odlično, ovo je meni bliska i meni draga tema.
Nadam se samo Bodžo da nećete opet stat o vinima kad se vratim s faxa.
Obrisan korisnik
Obrisan korisnik
Pristupio: 12.09.2003.
Poruka: 3.591
23. listopada 2006. u 09:23

 meni je taj minimalisticki industrijski stil savrsen, al moram priznat da me brine to prokisnjavanje pa i kad ti se na bijeloj fasadi pocne slijevat voda i ostavi zuti trag, vec vidim kako bi me zenica masirala za farbanje fasade svakih dve-tri godine.

od ovih istarskih "nagradivanih" veledjela ova terasa sa balustradama je nenadhebiva.

na mrtvacnici ono desno dole fakat izgleda kao prilaz za utovar-istovar.

nego bio jucer poslovno na farma fairu tu u bxl, kad u susjednom paviljonu megavino sajam, jao, jao. a propos "nasijeh" vina i marketinga, naravno nitko od nasih vinara nije se udostojio pojavit. bili svi: juznoamerikanci chile, argenitna; kalifornijski (i dalje izbjegavam); spanjolci, portugalci, talijani, juznoafrikanci australci, od sitnijih riba i ribica, bugari, rumunji, gruzini, austrijanci, svicarci i naravno sve francuske regije su imale bar par zastupnika. znaci osim kapaciteta i marketinga ne pokazujemo ni zainteresiranost za promocijom. neka, tko bi si ih uopce mogao priustit da postanu svjetski cuvena.

probao sam jedno 15 vina kad su mi okusni pupoljci osli u kua, kupio nesto gruzijskog (stara ljubav iz ruskih studentskih dana) te sanduk nekog francuskog bijelog sa pirineja (languedoc, limoux) nema jos AOC pa nije preskupo al je zbilja vrhunsko. sve u svemu izvrsna radna nedjelja, puno se posla napravilo.  

Obrisan korisnik
Obrisan korisnik
Pristupio: 04.04.2006.
Poruka: 1.952
23. listopada 2006. u 09:32
  Još jedno Bodžo pitanje... Koja je rezulucija ovih fotki????
bojangles
bojangles
Dokazano ovisan
Pristupio: 19.01.2005.
Poruka: 16.414
23. listopada 2006. u 09:52

htio bih vam reći još nešto o ovoj b2 kući-investitori su dva bogata brata iz Istambula kojima je pun kufer života prepunog sastanaka,strke,jurnjave,lap-topa i champions league...i tako su od projektanta ultimativno zaiskali mjesto,citiram,

'gdje će moći uživati u tišini,glazbi,knjigama'

i rekao bih da je arhitekt 100% pogodio.Lokacija je od Istanbula udaljena prvo 5 sati autom,pa 2 sata brodom,pa još jedan sat autom.

A jeste li obratili pažnju na sjajan pogled??

ma sjajno mjesto za meditaciju,odmor i bijeg od svakodnevnice.

ps-lako bih ovdje mogao zamisliti sastanke našeg Dead Poets Society-a!

Because of a few songs wherein I spoke of their mystery-women have been exceptionally kind to my old age
Obrisan korisnik
Obrisan korisnik
Pristupio: 12.09.2003.
Poruka: 3.591
23. listopada 2006. u 09:59
 al ova turska me se nije bas dojmila, ovaj lounge je cool poglavito zbog savrsenog pogleda, al kuca mi lici na hrpu nasih po otocima koje cekaju "bolja vremena" il da se sin/kcer opernati pa digne jos kat i potkrovlje il slozi neku ekstenziju te zavrsi fasadu.  
[uredio mrkva]
Obrisan korisnik
Obrisan korisnik
Pristupio: 16.10.2002.
Poruka: 1.404
23. listopada 2006. u 10:46

evo da se javim: ona mrtvacnica mi je "malo" specificna. npr koristi se dosta staklo i aluminium. Unutra je sigurno klimatizirano, tako da se moze reci da je to jedna moderna i funkcionalna gradjevina.  Volim nove stvari, volim vidjeti stvari gledane  iz perspektive drugih ljudi.

Dok privatne kuce, moram reci odbojne su mi. Odbojne su mi jer mi mirisu na egoizam i materijalizam. Ne volim kad mi netko ide kazivati kako ima puno para i da nezna sto ce s njima. Pogotovo kad je rijec o privatnim kucama koje vrijede milione eura. Kad ti isti vlasnici kuca vise neznaju sto ce s parama pa pocmu vjesati slike po zidovima koje vrijede milione eura. Naprave kucu negdje u netaknutoj prirodi (zagadjivaju okolis) pa onda su tako egoisticni da hoce da imaju najljepsi pogled (po mogucnosti da se vidi zalazak sunca na pucini). Pa kristal, srebro, zlato, privatne biblioteke, kineski porculan, mahagonij, teak, koza, namjestaj od masivne hrastovine, itd da ne nabrajam koje sve  materijale ljudi izlazu samo da pokazu drugima kako imaju puno para.

Ja sam vise  pristalica klasicnih, funkcionalnih, skromnih objekata za stanovanje. Nesto kao oni stanovi od 50 m2 sto su se gradili za vrijeme komunizma po onim zgradama i naseljima (Tamo gdje Raja zivi-charsija). Tamo imas jedan neboder od 10-ak katova sa 4 stana od 50 m2 na svakom katu. A u tom naselju ima 20 - 30 takovih nebodera.  Vise volim takove stanove jer je manje za usisavati prasinu, manje se trosi novca na odrzavanje kuce, manje se trosi novca za grijanje (a vise u kafani pogotovo ako zgrada ima kafic i biblioteku u prizemlju). Kratko receno vise volim zivjeti u urbanim mjestima. A i ekoloski je puno bolje zivjeti u urbanim mjestima, nego ici i zagadjivati okolinu u ruralnim podrucjima..

Kako je npr onaj turcin rijesio pitanje otpadnih voda? ....-Gdje se spojio na kanalizaciju? Kako je dobio vodu i struju. ....mogu misliti, kad moras ici sat vremena iz istanbula sa autom pa sat vremena brodom , pa onda opet sat vremena autom !?

 

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